In 1980 Collins published four little picture books by a young author and illustrator, Jill Barklem.
SPRING STORY, SUMMER STORY, AUTUMN STORY and WINTER STORY chronicle in astonishing illustrative detail, the lives and adventures of a community of mice who live in Brambly Hedge. Brambly Hedge is an idyllic spot where old values flourish and seasonal self-sufficiency is the order of the day.
Intended for small children, the books were an immediate success with readers of all ages and the books have been translated in to over thirteen languages and sold over seven million copies.
Jill was born in Epping, Essex, a town sheltered from London’s urban expansion by an ancient woodland, Epping Forest. Jill’s father came from a long line of London drapers and owned an old fashioned department store on Epping High Street. As a child Jill always enjoyed being close to nature, spending much of her time at the end of the garden watching spiders going about their busy lives.
At the age of thirteen, Jill suffered a detached retina; this would result in her no longer being able to take part in sport at school. Instead she would spend afternoons in the art room or leafing through books in the library. Jill found great pleasure in drawing flowers and twigs, a pleasure that would shape the years to come.
The intensive research that Jill carried out created the self sufficient community that became Brambly Hedge. The clothes the mice wear are spun by paw driven looms, the flour for bread is created using a fully functional water mill. Many of the details of Brambly Hedge can... See more
In 1980 Collins published four little picture books by a young author and illustrator, Jill Barklem.
SPRING STORY, SUMMER STORY, AUTUMN STORY and WINTER STORY chronicle in astonishing illustrative detail, the lives and adventures of a community of mice who live in Brambly Hedge. Brambly Hedge is an idyllic spot where old values flourish and seasonal self-sufficiency is the order of the day.
Intended for small children, the books were an immediate success with readers of all ages and the books have been translated in to over thirteen languages and sold over seven million copies.
Jill was born in Epping, Essex, a town sheltered from London’s urban expansion by an ancient woodland, Epping Forest. Jill’s father came from a long line of London drapers and owned an old fashioned department store on Epping High Street. As a child Jill always enjoyed being close to nature, spending much of her time at the end of the garden watching spiders going about their busy lives.
At the age of thirteen, Jill suffered a detached retina; this would result in her no longer being able to take part in sport at school. Instead she would spend afternoons in the art room or leafing through books in the library. Jill found great pleasure in drawing flowers and twigs, a pleasure that would shape the years to come.
The intensive research that Jill carried out created the self sufficient community that became Brambly Hedge. The clothes the mice wear are spun by paw driven looms, the flour for bread is created using a fully functional water mill. Many of the details of Brambly Hedge can be traced back to British agricultural processes of the past. The harnessing of wind and waterpower, the imaginative use of ingredients, the preserving of fruits in the autumn for winter use, the ceremonies and celebrations that mark the turning points of the year.
The incredible detail of her work soon caught the eye of Harper Collins publishers. When the first four books were released, the Sunday Times Magazine described them as “the most research-crammed fantasy ever set before small children”. Spring, Summer, Autumn and Winter Stories were published in the autumn of 1980. The success of the first four books was followed by The Secret Staircase in 1983, The High Hills in 1986, Sea Story in 1990 and Poppy’s Babies in 1994.
This second phase of books saw Jill drawing inspiration from further afield than her roots in Epping Forest. The rocky crags of the central Lake District inspired The High Hills, while Sea Story took her to the north Norfolk coast and the Suffolk estuaries.
Whilst illustrating Poppy’s Babies Jill had difficulty focusing on the images she was creating, by the last few illustrations she was only able to see half the page she was working on, the rest had simply disappeared. Jill would need a complicated operation to relieve pressure from her optic nerve. Whilst the operation was a success, she suffered a series of medical setbacks and decided that she would take a break from what had been a very busy fifteen years.
